[不安分的年轻人们]发布于1958年,马塞尔·卡尔内执导
由编剧马塞尔·卡尔内,雅克·西居尔,夏尔·斯巴克携幕后团队创作。著名实力派明星加盟。 并于1958年在法国上映。算是一部挺不错影视作品,亲们,好看的的影视作品也为数不多呀,推荐大家值得观看。类型为剧情 的影视作品,创作于法国 ,具有法语版本支持手机在线播放免费。 Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.
Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
星星电影网网友: Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
q2002电影网网友:最近《不安分的年轻人们》上映了,男女主都是我很喜欢的人,长的好看演技好,剧情也很好啊,真的不夸张,我没开倍速看(你知道对于我这样一个基本开二倍速的人来讲,这是一个多大的肯定嘛)。
青苹果影院网友:截止到2022,《不安分的年轻人们》正片。
艾玛影院网友:除了 优酷视频视频软件之外你还可以去 爱奇艺、 芒果tv、 时代电影网-最新电视剧_电影大全_免费在线观看【高清流畅】 > 百度视频等平台去看正版视频。
6、影视大全网友:最近有帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔等演员主演的剧情片一经播出就受到了很多观众的欢迎和认可,这部剧情片里面,演员的演技都是非常值得肯定的,我觉得帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔在里面的演技非常的好,他能够去把握这个角色所要表达的情感,向观众展现出更好的作品
人人影视网友:有以下演员主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔。
星辰影视网友:您可以用手机打开百度APP在搜索框里输入:不安分的年轻人们手机在线观看免费,就可以找到免费正版播放资源了。手机免费看不安分的年轻人们网址:www.fangxinquandog.com/luyy/51184.html,这个网站免费无广告。
星空影视网友:很多地方都可以看呀,我是在 星星电影网-最新电视剧_电影大全_免费在线观看【高清流畅】 上看的,打开APP后直接搜索“不安分的年轻人们”就能看了。
豆瓣电影影评:我其实是想给不安分的年轻人们 4颗星的,但是稍微回味了一会儿,觉得它不值,还是三星半吧。太过美好的童话,纯粹却禁忌的爱恋。去除了所有外界的干扰,只剩下两人一路成长的甜蜜。被两小无猜的欢喜萌的酥麻,被一眼万年的深情震的动容。再孱弱缺失的情节也能忍受,再矫情造作的mv拼贴也能释怀,宁愿做一次贪恋美梦的傻子,在追逐繁星的路上尽情的奔跑一回。
哔哩哔哩网影评:[不安分的年轻人们]剧情很流畅,好评如潮、质疑不断,不同目的、不同角度的声音此起彼伏,觉得好的观众会觉得在这部片里找到了共鸣,不论是来自家庭的困境,还是身处21世纪信息碎片化而无孔不入导致的意识扁平化的生活现状的反思等等,推荐!!!
pptv网影评:[不安分的年轻人们]这种虚无主义在当今21世纪的这个节点已被提起注意,如今我们可以从手机上见识到全世界的各种悲剧与痛苦,我们可以做的却只是坐一旁说:“哦太差劲了”,然后继续回到自己的生活中去,我们毕竟又能做什么呢?!
烂番茄影评:哈哈哈 男女主角真是清新可爱,看了之后,让我蠢蠢欲动,好像想早恋,可惜早已过了早恋的年龄!o(╯□╰)o
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